Download Ambiguous Discourse: Feminist Narratology and British Women by Kathy Mezei PDF

By Kathy Mezei

ISBN-10: 0807822906

ISBN-13: 9780807822906

Conscientiously melding idea with shut readings of texts, the individuals to Ambiguous Discourse discover the position of gender within the fight for narrative keep an eye on of particular works by means of British writers Jane Austen, Virginia Woolf, Anita Brookner, Angela Carter, Jeanette Winterson, and Mina Loy. This number of twelve essays is the 1st booklet dedicated to feminist narratology--the mixture of feminist thought with the examine of the buildings that underpin all narratives. till lately, narratology has resisted the advances of feminism partially, as a few members argue, simply because thought has replicated prior assumptions of male authority and viewpoint in narrative. Feminist narratology, even if, contextualizes the cultural structures of gender inside of its research of narrative options. 9 of those essays are unique, and 3 were revised for booklet during this quantity. The participants are Melba Cuddy-Keane, Denise Delorey, Rachel Blau DuPlessis, Susan Stanford Friedman, Janet Giltrow, Linda Hutcheon, Susan S. Lanser, Alison Lee, Patricia Matson, Kathy Mezei, Christine Roulston, and Robyn Warhol.

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Sample text

Whereas Lascelles regarded these moments as lapses, the narratologist might see them as reminders of how relatively consistent the focalization is in this text, as compared with Sense and Sensibility or Emma, for instance.  Although their usage of the term applies to the late­Victorian genre of sensation novels, the term's focus on the link between text and body makes its appropriation here irresistible.  I am using these terms in the sense originated by Gérard Genette; see Prince for brief and lucid definitions.

See Julia Prewitt Brown's critique of narrow feminist readings of Austen, and note the pitfalls in her own feminist­historicist criticism that treats characters as if they were "real people" whose marital fate depends on their situation in history (1990).  Whereas Lascelles regarded these moments as lapses, the narratologist might see them as reminders of how relatively consistent the focalization is in this text, as compared with Sense and Sensibility or Emma, for instance.  Although their usage of the term applies to the late­Victorian genre of sensation novels, the term's focus on the link between text and body makes its appropriation here irresistible.

Although their usage of the term applies to the late­Victorian genre of sensation novels, the term's focus on the link between text and body makes its appropriation here irresistible.  I am using these terms in the sense originated by Gérard Genette; see Prince for brief and lucid definitions.  While this holds true for Emma, the subject of McGowan's analysis, Persuasion suggests a move on Austen's part toward assigning more power to the heroine who can see and read the hero's passion.  Harmondsworth: Penguin, 1976.

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